Venetian Colour

Venetian Colour
Author :
Publisher : Yale University Press
Total Pages : 268
Release :
ISBN-10 : 9780300081350
ISBN-13 : 0300081359
Rating : 4/5 (359 Downloads)
GET BOOK
Book Synopsis Venetian Colour by : Paul Hills

Download or read book Venetian Colour written by Paul Hills and published by Yale University Press. This book was released on 1999-01-01 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discusses the relation of Venetian color to social, cultural, and environmental factors


Venetian Colour Related Books

Venetian Colour
Language: en
Pages: 268

Venetian Colour

Authors: Paul Hills
Categories: Art
Type: BOOK - Published: 1999-01-01 - Publisher: Yale University Press

GET EBOOK

Discusses the relation of Venetian color to social, cultural, and environmental factors
Color and Culture
Language: en
Pages: 344

Color and Culture

Authors: John Gage
Categories: Aesthetics
Type: BOOK - Published: 1999 - Publisher: Univ of California Press

GET EBOOK

An encyclopaedic work on color in Western art and culture from the Middle Ages to Post-Modernism.
A Revolution in Colour
Language: en
Pages: 281

A Revolution in Colour

Authors: Giorgio Riello
Categories: History
Type: BOOK - Published: 2024-09-19 - Publisher: Bloomsbury Publishing

GET EBOOK

This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet t
The Pre-Raphaelite Body
Language: en
Pages: 266

The Pre-Raphaelite Body

Authors: J. B. Bullen
Categories: Art
Type: BOOK - Published: 1998 - Publisher: Oxford University Press

GET EBOOK

Pre-Raphaelitism was the first avant-garde movement in Britain. It shocked its first audience, and as it modulated into Aestheticism it continued to disturb the
Goethe's Theory of Colours
Language: en
Pages: 492

Goethe's Theory of Colours

Authors: Johann Wolfgang von Goethe
Categories: Art
Type: BOOK - Published: 1840 - Publisher:

GET EBOOK

This work by Johann Wolfgang von Goethe (1749-1832) was translated into English in 1840 by Sir Charles Eastlake (1793-1865), painter and later keeper of the Nat