This book interrogates the relationship of theatre and the dialectics of centre and the margins. It looks into the exciting world of performance to examine how

Beckett's Political Imagination uncovers Beckett's lifelong engagement with political thought and political history, showing how this concern informed his work

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history origin

This book examines the socio-political and theatrical conditions that heralded the shift from the margins to the mainstream for black British Writers, through a

This book draws together 13 distinctive and original explorations of how dominant cultural mainstreams and margins are formed and resisted, how they stabilize a