Sound Theory, Sound Practice

Sound Theory, Sound Practice
Author :
Publisher : Psychology Press
Total Pages : 308
Release :
ISBN-10 : 0415904579
ISBN-13 : 9780415904575
Rating : 4/5 (575 Downloads)

Book Synopsis Sound Theory, Sound Practice by : Rick Altman

Download or read book Sound Theory, Sound Practice written by Rick Altman and published by Psychology Press. This book was released on 1992 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.


Sound Theory, Sound Practice Related Books

Sound Theory, Sound Practice
Language: en
Pages: 308
Authors: Rick Altman
Categories: Performing Arts
Type: BOOK - Published: 1992 - Publisher: Psychology Press

GET EBOOK

First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Film Sound
Language: en
Pages: 462
Authors: Elisabeth Weis
Categories: Performing Arts
Type: BOOK - Published: 1985 - Publisher:

GET EBOOK

The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film hist
Sound Design Theory and Practice
Language: en
Pages: 312
Authors: Leo Murray
Categories: Performing Arts
Type: BOOK - Published: 2019-05-22 - Publisher: Routledge

GET EBOOK

Sound Design Theory and Practice is a comprehensive and accessible guide to the concepts which underpin the creative decisions that inform the creation of sound
The Sound Handbook
Language: en
Pages: 266
Authors: Tim Crook
Categories: Performing Arts
Type: BOOK - Published: 2013-06-17 - Publisher: Routledge

GET EBOOK

'Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time.' Professor Seán Street, Bournem
Film Production Theory
Language: en
Pages: 328
Authors: Jean-Pierre Geuens
Categories: Performing Arts
Type: BOOK - Published: 2000-03-31 - Publisher: State University of New York Press

GET EBOOK

Most serious film books during the last twenty years have focused on theoretical issues, film history, or film analyses, leaving production to the side. This te