At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From

Stung by reports that people around the world thought the US was a racist society that oppressed the African American, from 1956 the State Dept. dispatched jazz

Jazz as an instrument of global diplomacy transformed superpower relations in the Cold War era and reshaped democracy's image worldwide. Lisa E. Davenport tells

In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and S

American Studies is a vigorous, bold account of the changes in the field of American Studies over the last thirty-five years. Through this set of carefully sele