This book adds a unique eastern perspective to the ever growing corpus of Shakespeare criticism. The ancient Sanskrit theory of Rasa – the aesthete’s emotio

Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audie

Shakespeare, the Renaissance and Empire: Poetry, Philosophy and Politics is the second volume of this study and builds on the first, which concentrated on relat

Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023 Shakespeare’s Sublime Pathos: Person, Audience, Language breaks new ground in prov

Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023 Shakespeare’s Sublime Ethos: Matter, Stage, Form breaks new ground in providing a