Conventionalism in Ancient American Art (Classic Reprint)

Conventionalism in Ancient American Art (Classic Reprint)
Author :
Publisher : Forgotten Books
Total Pages : 20
Release :
ISBN-10 : 0282593276
ISBN-13 : 9780282593278
Rating : 4/5 (278 Downloads)

Book Synopsis Conventionalism in Ancient American Art (Classic Reprint) by : Frederic Ward Putnam

Download or read book Conventionalism in Ancient American Art (Classic Reprint) written by Frederic Ward Putnam and published by Forgotten Books. This book was released on 2017-07-26 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Conventionalism in Ancient American Art In figures 5 and 6, the nose and mouth form the central object on one-half of the vessel, with an eye on each side. 011 the opposite half, the tail and an ear on each side are the balancing features, and a handle is placed in the centre between the eye and ear on each side. With this arrangement of the parts, conventionalism has full play, and in figures 7 and 8 are seen two vessels on which the nose, eye, ear and tail are rudely represented in the same positions as in the preceding. Several other vessels are of the same character, but slightly modified in the more or less realistic representation of the several parts, until, finally, the climax of conventionalism in this direction is reached in the vessel shown in figure 9, where the nose, tail, eyes and ears are represented by six round knobs of equal size, holding the positions assigned to the several features in the preceding figures. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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