Vesna Pavlović: Stagecraft features four extensive bodies of the photographer's work, spanning from the early 2000s to today—photographs of the Yugoslav soci

“I am Jugoslovenka” argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia’s unique history of pa

This book constitutes the thoroughly refereed post-workshop proceedings of the 8th International Workshop on Automated Deduction in Geometry, ADG 2010, held in