The Sepulchre of Christ in Art and Liturgy
Author | : Neil C. Brooks |
Publisher | : Forgotten Books |
Total Pages | : 148 |
Release | : 2017-11-20 |
ISBN-10 | : 033150412X |
ISBN-13 | : 9780331504125 |
Rating | : 4/5 (125 Downloads) |
Download or read book The Sepulchre of Christ in Art and Liturgy written by Neil C. Brooks and published by Forgotten Books. This book was released on 2017-11-20 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Sepulchre of Christ in Art and Liturgy: With Special Reference to the Liturgic Drama Representations of the sepulchre of Christ occur in art from the fourth century on.1 They began after Christianity had emerged from the cata combs and become a state religion under Constantine. In the painting of the catacombs the death and the resurrection of Christ were not de picted, although probably symbolically suggested by the resurrection of Lazarus. This Lazarus scene, with its little gabled temple tomb, was the most popular of all New Testament subjects in catacumbal art. The sepulchre of Christ appears in scenes of the Entombment, of the Holy Women at the Sepulchre, of Christ's Appearance to Mary Magdalene, and, at a comparatively late period, in the Resurrection scene. Through out the earlier centuries, the most frequent and most important of these scenes is that of the Holy Women at the Sepulchre, and it is chiefly in connection with this that the forms of the sepulchre in art will be traced. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.