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Language: en
Pages: 381
Pages: 381
Type: BOOK - Published: 2020-02-06 - Publisher: Cambridge University Press
Outlining a classical 'rhetorical' system, this is the first serious overview of how European actors c.1550-1800 thought about acting.
Language: en
Pages: 242
Pages: 242
Type: BOOK - Published: 2003 - Publisher: Fairleigh Dickinson Univ Press
The subject of stage directions in 'Hamlet', those brief semiotic codes that are embellished by historical, theatrical, and cultural considerations, produces a
Language: en
Pages: 266
Pages: 266
Type: BOOK - Published: 2006-08-28 - Publisher: Houghton Mifflin Harcourt
"To be or not to be" confounded by Shakespeare-that is the question. Hamlet is an action-packed thriller with apparitions, murder, revenge, deception, poisons,
Language: en
Pages: 148
Pages: 148
Type: BOOK - Published: 1998 - Publisher: Cambridge University Press
The first quarto of Hamlet is radically different from the second quarto and Folio versions of the play, and about half their length. But despite its uneven ver
Language: en
Pages: 1006
Pages: 1006
Type: BOOK - Published: 1992 - Publisher: University of Delaware Press
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in the