Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that

Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).

The ninety prints in this exhibition catalog trace the evolution of several styles of engraving and etching over a crucial period. At the beginning of this time