Refuting the argument to choose between "the politics of recognition" and the "politics of redistribution," Justice Interruptus integrates the best aspects of b

In Postsocialist Conditions: Idea and History in China’s “Independent Cinema,” 1988-2008, WANG Xiaoping offers a comprehensive survey and trenchant critiq

The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path. Artists, seeing it all first-han

In this ethnography of postsocialist Moscow in the late 1990s, Olga Shevchenko draws on interviews with a cross-section of Muscovites to describe how people mad

Through staging dialogues between scholars, activists, and artists from a variety of disciplinary, geographical, and historical specializations, Postcolonial an