Poets, Patronage, and Print in Sixteenth-Century Portugal

Poets, Patronage, and Print in Sixteenth-Century Portugal
Author :
Publisher : Oxford University Press
Total Pages : 208
Release :
ISBN-10 : 9780192650252
ISBN-13 : 0192650254
Rating : 4/5 (254 Downloads)

Book Synopsis Poets, Patronage, and Print in Sixteenth-Century Portugal by : Simon Park

Download or read book Poets, Patronage, and Print in Sixteenth-Century Portugal written by Simon Park and published by Oxford University Press. This book was released on 2021-06-24 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Portugal was not always the best place for poets in the sixteenth century. Against the backdrop of an expanding empire, the country's annexation by Spain in 1580, and ongoing religious controversy, poets struggled to articulate their worth to rulers and patrons. This did not prevent them, however, from persisting in their craft. Indeed, many of their works reflected precisely on the question of what poetry could do and what, ultimately, its value was. The answers that poets like Luís de Camões, Francisco de Sá de Miranda, António Ferreira, and Diogo Bernardes offered to these questions, and which are explored in this book, ranged from lofty ideals to the more practical concerns of making ends meet when one depended on the whims of the powerful. This volume articulates a 'pragmatics of poetry' that combines literary analysis and book history with methods from sociology (network analysis, sociology of professions, valuation studies) to explore how poets thought about themselves and negotiated the value of their verse in the court, with patrons, or in the marketplace for books. It reveals how poets compared their work to that of lawyers and doctors and tried to set themselves apart as a special group of professionals. It shows how they threatened their patrons as well as flattered them and tried to turn their poetry from a gift into something like a commodity or service that had to be paid for. While poets set out to write in the most ambitious genres and to better their European rivals, they sometimes refused to spend months composing an epic without the prospect of reward. Their books of verse, when printed, were framed as linguistic propaganda as well as objects of material and aesthetic worth at a time when many said that non-devotional poetry was a sinful waste of time. This is a book about the various ways in which poets, metaphorically and more literally, tried to turn poetry and the paper it was written on into gold.


Poets, Patronage, and Print in Sixteenth-Century Portugal Related Books

Poets, Patronage, and Print in Sixteenth-Century Portugal
Language: en
Pages: 208
Authors: Simon Park
Categories: Literary Criticism
Type: BOOK - Published: 2021-06-24 - Publisher: Oxford University Press

GET EBOOK

Portugal was not always the best place for poets in the sixteenth century. Against the backdrop of an expanding empire, the country's annexation by Spain in 158
Poets, Patronage, and Print in Sixteenth-century Portugal
Language: en
Pages: 233
Authors: Simon Park
Categories: Literary Criticism
Type: BOOK - Published: 2021 - Publisher: Oxford University Press

GET EBOOK

Portugal was not always the best place for poets in the sixteenth century. Against the backdrop of an expanding empire, the country's annexation by Spain in 158
Diogo Bernardes and O Lima (1596)
Language: en
Pages: 414
Authors: Simon Park
Categories: Authors and patrons
Type: BOOK - Published: 2016 - Publisher:

GET EBOOK

Memory and Identity in the Learned World
Language: en
Pages: 365
Authors: Koen Scholten
Categories: Philosophy
Type: BOOK - Published: 2022-03-16 - Publisher: BRILL

GET EBOOK

Memory and Identity in the Learned World offers a detailed and varied account of community formation in the early modern world of learning and science. The book
Women and Music in Sixteenth-Century Ferrara
Language: en
Pages: 417
Authors: Laurie Stras
Categories: Music
Type: BOOK - Published: 2018-09-27 - Publisher: Cambridge University Press

GET EBOOK

Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.