Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profess

This new volume is the most comprehensive examination of Italian Renaissance sculpture from 1490 to 1560 ever published. Central to the whole study is the sculp

Michael Hirst's chapters are followed by Jill Dunkerton's survey of Michelangelo's technique as a painter on panel, using both egg tempera and oil paint, based

About the author. A. Victor Coonin is James F. Ruffin Chair of Art at Rhodes College. He has received fellowships and grants from the Mellon, Kress, and Fullbri