Argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather within early-twentieth-century Viennese portraiture.

The Material Subject emphasises how bodily and material cultures combine to make and transform subjects dynamically. The book is based on the French Matière à

An exploration of the visual culture of “race” through the work of five contemporary artists who came to prominence during the 1990s. Over the past two deca

"Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the Unit

Subject and Object in Modern English, first published in 1979, deals with subjects in the English language (one of the two main constituents of a clause), first