From the 1970s onward, “exploitation cinema” as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and ma

The first book to give rigorous study to the concept of East Asian exploitation cinema as a product of global circulation and popular perception, both inside an

This book brings together nine original chapters to examine genre agency in East Asian cinema within the transnational context. It addresses several urgent and

This collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent. Bringing togethe

A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative covera