To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even p

To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even p

To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even p

Surveys buildings that have been lost to antiquity, war, demolition, natural catastrophes, and other circumstances, as well as designs which were never built.--

ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to