Saint Lambert's Nouveau traité de l'accompagnement de clavecin, de l'orgue, et des autres instruments of 1707 supplements his earlier harpsichord treatise, Les

Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.

Who originally authored the anonymous, undated French manuscript Traité d'accompagnement et de composition? Carla E. Williams tackles this mystery while provid

". . . a major contribution to cornett research and belongs in the library of every cornettist." —Historic Brass Society ". . . scrupulously detailed. . . The