"Theophile Gautier a envoye avec un feuilleton plus de trois mille personnes dans latelier de M. Ingres, wrote Champfleury in 1848. For artists, critics and rea

International specialists in French art and literature come together in this volume to investigate moderniteacute; through painting, sculpture, the novel, diari

Gautier's poetry merits an attentive reading which respects his own essential criterion of poeticity, namely, textuality. This is a poetry which puts on display

Utilizing Wilde’s own characters “Vivian” and “Cyril,” this critique in play format begins by discussing the playwright’s ideas on the relation of A