Academic theology is in need of a new genre. In "Transgressive Devotion" Natalie Wigg-Stevenson articulates a theological vision of that genre as performance

Theology as Performance breaks new ground in the growing conversation between modern theology and philosophical aesthetics. Stoltzfus proposes that significant

The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world�

This volume, which launches the Engaging Worship series from Fuller Theological Seminary's Brehm Center for Worship, Theology, and the Arts, offers a unique stu

An examination of the musical aesthetics of Schleiermacher, Barth, and Wittgenstein and the ways that competing theological claims in the West have been derived