Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists ba

"English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerom

Graphic Design Theory is organized in three sections: "Creating the Field" traces the evolution of graphic design over the course of the early 1900s, including

introduction by Charles Bernstein. Essays by Johanna Drucker.