Heather Laing examines, for the first time, the issues of gender and emotion that underpin the classical style of film scoring, but that have until now remained

The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perce

Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies. Closely exam

British Women’s Cinema examines the place of female-centred films throughout British film history, from silent melodrama and 1940s costume dramas right up to