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This book examines how American foreign policy and the commercial film industry's economic interests influenced the portrayal of international terrorism in Holl
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Cinematic Terror takes a uniquely long view of filmmakers' depiction of terrorism, examining how cinema has been a site of intense conflict between paramilitari
Death and the Moving Image
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With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou un