Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevai

Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores

Embodied Texts: Symbolist Playwright-Dancer Collaborations explores the dynamic relationship between Symbolist theatre and early modern dance across Europe from

A number of sections are devoted to Mallarme's great magazine of wit and opinion, La Derniere Mode, or The Latest Fashion, every page of which he wrote himself

Anna Sigrídur Arnar explores how the book became a stretegic site for encouraging a modern public to actively partake in the creative act, an idea that informe