This book examines the relationship between narrative film and reality, as seen through the lens of on-screen classical concert performance. By investigating th

The Oxford Handbook of Cinematic Listening explores the place of cinema in the history of listening. It looks at the ways in which listening to film is situated

In New York and London during World War I, the performance of lieder—German art songs—was roundly prohibited, representing as they did the music and languag

More than eighty years have passed since Edgard Varèse’s catalytic work for percussion ensemble, Ionisation, was heard in its New York premiere. A flurry of

Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies. Closely exam