James Joyce’s evocations of his characters’ thoughts are often inserted within a commonplace that regards the mind as an interior space, referred to as the

Levay analyzes representations of the criminal in British and American modernism from the late nineteenth century to the 1950s.

This vanguard collection of original and in-depth essays explores the intricate interplay of the aesthetic and psychological domains during the late nineteenth

Challenging the notion that modernism is marked by an “inward turn” – a configuration of the individual as distinct from the world – this collection del

This study offers a new perspective on unusual and unsettling experiences that are often interpreted as “mental illnesses” and on the techniques through whi