Since Robert Flaherty's landmark film Nanook of the North (1922) arguments have raged over whether or not film records of people and traditions can ever be "aut

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This innovative book shows how Asian American filmmakers and videomakers frame and are framed by history—how they define and are defined by cinematic projecti

Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in orde