The journal of cinematic illusions.

Constructing a theory of intimacy describing processes occurring between a 'human' subject and information creations, Jan Stasienko shows in what way and in wha

How one company created the dominant aesthetic of digital realism. Just about every major film now comes to us with an assist from digital effects. The results

Stephen Prince offers a clear, concise account of how digital cinema both extends longstanding traditions of filmmaking and challenges fundamental assumptions a

Who Framed Roger Rabbit emerged at a nexus of people, technology, and circumstances that is historically, culturally, and aesthetically momentous. By the 1980s,