An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the m

`Innes has produced a brilliant, sensitive, articulate statement. It deserves serious study by all those whose practice and commitment is toward an understandin

Features a collection of significant avant-garde plays from around the world, along with essays that explore the evolution, objectives, and concerns facing the

Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines

Sarah Bay-Cheng offers an examination of Gertrude Stein's drama within the history of the theatrical and cinematic avant-gardes.