Andreas Werckmeister (1645 – 1706), a late seventeenth-century German Lutheran organist, composer, and music theorist, is the last great advocate and defender

In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach incor

Mystical Love in the German Baroque: Theology, Poetry, Music identifies the cultural and devotional conventions underlying expressions of mystical love in poetr

Johann Sebastian Bach has loomed large in the imagination of scholars, performers, and audiences since the late nineteenth century.This new book, edited by vete

J.S. Bach's chorale settings of modal cantus firmi pose an interesting problem for the modern analyst: What assumptions'modal or tonal'does one bring to the mus