Pop art was essential to the Americanization of global art in the 1960s, yet it engendered resistance and adaptation abroad in equal measure, especially in Pari

This book examines critical adaptations of Pop motifs and pictorial techniques across French painting, graphic design, cinema and protest aesthetics in the 1960

"Catalog of the exhibition:" p. viii-xii. Bibliography: p. 133-140. Based on an exhibition organized for and shown at the Whitney Museum of American Art, April

Essay by Wendy Weitman.

A global survey of Pop art that reassesses its roots, impact, and legacy This groundbreaking book surveys the concurrent engagements with the spirit of Pop thro