The first critical study to be published on Mughal pictorial hybridity, this book investigates the workings of the diverse creative forces that underpinned the

The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the

When we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in

Naẓar, literally ‘vision’, is a unique Arabic-Islamic term/concept that offers an analytical framework for exploring the ways in which Islamic visual cult

In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1