Tunç Okan (Bay Okan) is an independent emigrant filmmaker born in 1942 in Turkey. He started his filmmaking career in 1974 with his debut film The Bus, which h

Cinema and Nation considers the ways in which film production and reception are shaped by ideas of national belonging and examines the implications of globalisa

The film Yol (The Road) is a landmark in Türkiye’s cinema history, not only because it shared the Palme d’Or with Missing by Greek-born French director Kon

The Amoy-dialect film industry emerged in the 1950s, producing cheap, b-grade films in Hong Kong for direct export to the theatres of Manila Chinatown, southern

The Postcolonial Body in Queer Space and Time examines the ways in which the notion of the postcolonial correlates to Judith Halberstam’s idea of queer space